Enviornment Opera Pageant 2022 – Carmen – in contact with the opera

Like its principal character, Carmen it’s a nomadic and altering work able to evoking a fluid and dynamic vary of meanings. A narrative of illicit love between a gypsy girl and a Basque foreman in a really nineteenth century stability and really French, though it’s about gypsies and Spain. It’s true that Bizet’s librettists, based mostly solely on a part of Mérimée’s story, flip Carmen into an emancipated girl, able to managing her future in a method that at the moment was thought-about permissible just for males. It’s this spirit of independence and freedom that may captivate the general public, in addition to illustrious exegetes akin to Nietzsche. Nonetheless, the context for creating the operatic model is nineteenth-century France, the place the need for feminine independence remains to be thought-about one thing diabolical and requires management. It’s no coincidence that Don Jose always asks Carmen: “Are you diabolical?” and he or she replies with determined irony: “Oui.” Briefly, relying on the historic and cultural context, Carmen is now perceived as diabolical. femme fatale, now as an emancipated girl, typically each methods. It’s this twin stereotyped identification that has ensured that historical past has assured its omnipresence and energy, and due to this fact its skill to outlive interpretative modifications and varied variations with regard to implicit problems with gender, ethnicity and race.

Per Franco ZeffirelliAn excellent defender and keeper of the Italian stage and director custom, Carmen might solely be a femme fatale, endowed with devilish attraction, able to making a person lose management of himself and any respect for his personal social standing. A vampire, even perhaps a small vampire, who leads a person to demise and should pay for it along with his life: the violent ending truly marks the normalization of the parable about Carmen, who from a transgressive determine (in line with the thinker Catherine Clement “a bit of whore, a bit of Jewess, a bit of Arab, fully unlawful, all the time on the sidelines of life”) can thus rise to martyrdom. Even within the well-known setting created forEnviornment of Veronamodified a number of instances through the years and re-proposed in a newly up to date model for the inaugurationOpera Pageant Enviornment 2022Carmen Zeffirelli is introduced as a swaying and insatiable gypsy, an aggressive and contemptuous girl, sensual or matronly relying on the interpreters of the second.

This old school however nonetheless authentic imaginative and prescient of the nineteenth century is accompanied within the unique efficiency, signed in 1995, by the standard directorial idea, the place the surroundings is an extension of the moods of the characters, and Spain is conceived as a spot. picturesque, however above all a spot of ardour and intuition, main conflicts: love/hate, male/feminine, freedom/bonds. The style of a painted and fully integral scene prevails: Zeffirelli virtually fills the complete accessible floor, recreating the coloured Seville meter by meter, but in addition the views of the mountains mendacity within the “kinoscope” on the steps. A spectacular model, marked by schematic realism with consideration to the smallest particulars. The result’s a riot of red-hot colours and folkloric notations: an undeniably pleasing spectacle of its form, noticeable by the fluidity of the swirling mass and the dramatic focus within the efficiency of the protagonists.
In 2009, with a reasonably radical scenographic intervention, Zeffirelli, nearly a sufferer of a belated want for minimalism, swept all life-sized huts and buildings from the stands, giving approach to the video games of sunshine and projections. The scene is thus delimited by a sequence of tall poles which, within the second and fourth acts, assist interval posters depicting bullfighters and carmencite. Within the third act, the painted veils depict the profiles of the mountains as an alternative. Though the impact is much less oleographic, the presence of enormous lots and the distribution of dances to all corners of the stage, in addition to gaudy costumes Anna Letgreater than sufficient to fulfill the thirst for spectacle on the a part of the Enviornment viewers.

The model at the moment on stage till August 27 and billed as “definitive” by the Enviornment Basis is in apply a mix of the 1995 and 2009 releases. Thus, we see a life-size reconstructed Seville within the stands, identical to within the unique present. , but in addition posters and different scenographic components of the following model. There may be additionally no scarcity of unpublished stage components taken from unique sketches and by no means earlier than created, akin to the 2 veils framing the proscenium above. The result’s an over-accumulation that results in scenes typically packed to capability (whereas Zeffirelli himself in his restyling labored as a subtraction) and in a really tense, at instances chaotic director’s atmosphere. Thus, within the third act, the lunar halo, vaguely like a dream and a ghost, an unmistakable trace that the good Florentine director and set designer might have evoked, disappears.

On this hyper-traditional context, directorially excellent for a performer who debuted in ’95 (Denis Graves: wild, nuanced in singing, seductive in dancing, extremely sensual), Clementine Margaine it is a bit complicated. His “Carmen” is attention-grabbing not just for its tonal means and stage presence, but in addition for its analytical phrasing and number of accents, nuances of the singing line (a few of which, nonetheless, are misplaced within the Enviornment area). Briefly, the French mezzo-soprano tends to depict a “fashionable” character, extra mental than sensual, which might actually come out higher in a extra fashionable setting.
You want tonal options which can be for temperament, not even Don Jose from Brian Jagde champion of ardour and sensuality. The American tenor, nonetheless, has a well-defined vocalization, appropriate phonation, and is actually efficient in dramatic singing attributable to its sharp accent and caustic phrasing. Within the lyrical-amorous expression, it’s extra basic and has a not very big selection of colours and shades.
Totally corresponds to the idea of the present Zeffirelli Michaela di Karen Gardeazabal, depicting an extraordinary woman who has simply left the vestry, candy and devoted: the right facial features, nice timbre and facial features, in fact, correspond to the piercing lyricism of the character. State of affairs-sloppy, daring and sociable Escamillo Luca Michelettiwho can be valued for his good voice, sharp phrasing, and a focus to the phrase.
Among the many events stand out Biagio Pizzuti, which lends explicit aid to the position of Morales, because of the well-printed voice all through the sequel and exact expression. Well timed contribution Gabriele SagonaZuniga, Carlo Bosicorrected and Nicolo Ceriani, Dancairo. The extra opaque proof Daniela Capiello, Frasquita; useful Sofia Koberidze like a Mercedes. The contribution of the choir ready Ulysses Trabachin; breathtaking choreography camborio taking pictures from Lucia Actual and entrusted to the corps de ballet of the Enviornment Basis and wonderful dancers Antonio Gades Firm.

From the rostrum Marco Armiliato distinguished by skilled, prudent habits, with out frills and streaks, in good concord with each the singers and the choir. We aren’t confronted with an unique interpretation and are usually not all for deepening the a number of, contrasting climates of the work. Nonetheless, Armiliato manages elements of the atmosphere with due brilliance, discovering colours, typically twilight, typically vivid, and brings to the suitable dramatic ambiance the moments during which the fates of the characters are accomplished, giving tragedy Carmen dry proportions.
A celebratory cheer for the spectators who crammed the Enviornment, which lastly regained its full capability. He reads it, because the superintendent recollects. Cecilia Gasdia on the opening of the night he was devoted Renata Tebaldi ed. Ettore Bastianiniof which this 12 months marks the centenary of the start.

Opera Pageant Enviornment 2022
CARMEN
Comedian opera in 4 acts.
Booklet Henri Meylach e Ludovic Halevi
from the novel of the identical title by Prosper Mérimée
Music from Georges Bizet

Carmen Clementine Margaine
Michaela Karen Gardeazabal
Frasquita Daniela Capiello
Mercedes Sofia Koberidze
Mr Jose Brian Decide
escamillo Luca Micheletti
Dancairo Nicolo Ceriani
Patch Carlo Bosi
Zuniga Gabriele Sagona
Morality Biagio Pizzuti

Orchestra, choir, corps de ballet and technicians of the Verona Enviornment
director Marco Armliato
choirmaster Ulysses Trabachin
Kids’s choir ALIVE. directed by Paolo Facincani
Course and units Franco Zeffirelli
Fits Anna Let
Lucy Paolo Mazzon
Choreography camborio taken from Lucia Actual
Ball coordinator Gaetano Petrosino
With extraordinary involvement
Antonio Gades Firm
Inventive director Stella Arauso

Verona, 17 June 2022

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