Gianni Boncompagni, inventor of cheerfulness on tv | Creator’s portrait

from Teresa Ciabatti

In “Non è la Rai” he was the primary to display innocence. Little question the inventor of contemporary tv

He enlightened the youth» Says Renzo Arbore, on the day of the final farewell to the coffin in By way of Asiago 10, on the headquarters of Radio Rai, the place all of it started for them. Gianni he invented joie de vivre on tv”, At all times Arbore.

Radio presenter, lyricist, tv author, composer and tv director Gianni Boncompagni died in Rome on April 16, 2017. 85 years previous. Parade of buddies on By way of Asiago: Raffaella Carra, Marisa Laurito, Irene Gergo, Nino Frassica, Tito Stagno, Renzo Arbore. Mates and women, these women he made him work with, who they are saying they’re Sue creations: it is true Gianni illuminated their youth, their.

And therein lies the crux of the controversial, typically misunderstood facet of what it actually is. inventor of contemporary tv.

What Gianni Boncompagni mentioned Bonco you perceive the genius immediately, on radio packages like yellow flag, Different appreciation, paired with Arbore. We dwell within the late sixties, early seventies. Then the transition to tv, 1977: Discording, the primary music program geared toward a younger viewersby way of language and aesthetics. Upon nearer examination, Boncompagni is already all right here: inconcentrate on adolescence, within the potential to speak about it. In 1977 he’s in his forties however nonetheless appears to be on the opposite facet, the facet of boys of age and spirit like Arbore. Let’s cease on the Arbor: Barbara, Gianni’s daughter, remembers: “As a toddler, Renzo advised me that he had a twin named Giuseppe. Each time he got here dwelling, I mentioned: you’re Renzo, and he: no, Giuseppe. As a toddler, I believed there have been two of them.”

There isn’t a higher synthesis to explain the spirit, the playful grace that characterised working group, which was additionally a gaggle of buddies.

“I had an exquisite childhood,” Barbara says (keep in mind, Boncompagni raised the daughters he requested for and achieved alone). Within the Eighties, Bonko’s profession continued.: Hey Rafaella?, Sunday at. Therefore passage a Mediaset. “To be sincere, I don’t know,” he says in an interview on every day reality about this isn’t rai – Possibly the thought did not come to me. It was a imaginative and prescient. Berlusconi wished me to do it once more Hey Rafaella? I advised him it wasn’t attainable, it was a program primarily based on telephone calls and Mediaset did not have direct entry, however he insisted it does not matter, we do it with pretend telephone calls.”

From obscure indications and from absolutely the freedom granted to the writer, is born this isn’t rai. revolutionary programwith beforehand unseen aesthetics and seeming, miraculous, typically poignant, whirling in a circle – is not this the essence of youth? Spin with no middle (sensible instinct to get rid of the designated conductor from the community, breaking the sample).

Nevertheless, together with the unimaginable success of the performs, criticism comes: sexualization of minors, a lot of whom are beneath fourteen years previous, in seductive positions. To Fchristian spouse
Boncompagni replies: “I am making a program with out content material, I do not need to go away any messages.” He sins with modesty, or moderately: he has no intention of explaining his work by the truth that maybe sometime it is going to be studied – which occurs a lot sooner than he imagines. Discovered, imitated and even mentioned. Irreverent, reckless Boncompagni danger misunderstanding with out worry, collides with widespread morality, nearly a problem. Figuring out full effectively that the dialogue that follows shall be a cultural and social step ahead.

It appeared that everybody already understood.

However no. After his demise somebody returns to the problem of ladies, makes use of parts of the director’s private life to display some morbidity in the direction of younger individuals (scandalous, in response to them, love tales, beginning with the one with Carra that lasted ten years, she was twenty-six, he was thirty-five!). Somebody remembers Isabella Ferrarithen the seventeen-year-old to whom Boncompagni was engaged, and argues that public opinion interprets in a different way if Boncompagni does it effectively, if Berlusconi doesn’t (journalist Barbara Carfagna, whom Marco Travaglio solutions by explaining the distinction).

Here is to go Laura Colucciex girlfriend this isn’t raito probably the most unknown At the moment it is in Hyenas he says: “Sooner or later, Boncompagni requested us to go to his home. And so we went there. He had a number of enjoyable, after which from that night he acquired a style. Tomorrow at Gianni’s home, Saturday at Gianni’s home, after which subsequent week at Gianni’s home.. Sooner or later, I broke my ***. That’s, for me to ******* go to Boncompagni’s home. I used to be advised: “Ah, look, at your individual peril and danger.” I did not go there and I did. There was by no means intercourse… it was all a bit implied, acquired it? After dinner, he took out a jar of Nutella. It was with this spoon that they handed it.” The response of the others was speedy, denying any ambiance of ambiguity., confirming that Gianni at all times protected them. It is clear: Gianni Boncompagni was the primary to declare his innocence on tv. Innocence isn’t an absolute worth, there aren’t any values ​​as such. And there’s nothing extra harmful than simplification when speaking about ambiguity. Boncompagni was a storyteller who checked out purity as a prism. And no – right here artwork – didn’t stage need, it gave rise to need. The truth that this need additionally went down painful paths doesn’t concern work, doesn’t concern him (women discuss disturbing letters and items acquired from strangers).

In opposition to those that assume proper, in opposition to those that confuse plans, and finds messages the place there are no. In opposition to those that have a presumption, masquerading as enlightenment, to determine the precise trajectory from illustration to actuality, the institution of a pressured connection between trigger and impact. In opposition to those that consider that by cleansing work, hiding weapons, medication, girls’s legs, they bring about up good (as much as cancel tradition). A gaggle of sensible buddies (Boncompagni, Arbore, Carra) lived, invented and labored in opposition to this silly platoon, in opposition to the very thought of ​​enlightening the general public. They fought the boring platoon with one thing way more highly effective: the invention of cheerfulness, Arbore is quoted as saying.

These buddies, who managed to develop previous collectively, are touching on the funeral of Boncompagni Arbore. Renzo Arbore, aged and deeply wounded, who cries and cries and in a gesture of modesty tries to cover, to point out himself serene, however fails… Renzo Arbore’s solely failure, a wonderful failure: as a result of there, on By way of Asiago, the start of every little thing, the start of their youth, and this, simply this – the demise of Bonco – is the tip.

So Eleanor Cesere, former this isn’t raiwho remembers Gianni: “I do not overlook the final stroll: me, him and Raffaella (ed. Carr) at Ikea.. He spent complete days there. They walked arm in arm with Raffaella, he was already drained. On that day, we regarded like an bizarre household: mother, dad and daughter. And once more: “Gianni gave me a cup for breakfast.”

July 21, 2022 (modified July 21, 2022 | 08:58 AM)

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