““La grande bookstore” is a program of resistance”

On September 7, Augustin Trapenard takes over the reins of “La grande bookstore”, the one primetime literary program embodied and produced over fourteen years by François Busnel.

The strain lasted solely a brief week. However have been they actually there? As quickly because the announcement of the withdrawal of the antenna of François Busnel on the head of “La grande bookstore”, the eyes of all literary Paris turned to Augustin Trapenard, who had simply on the identical time stated goodbye to “Boomerang”, the cultural program which he offered at France Inter for eight years. The convergence of their respective planets subsequently allowed the primary to go the baton to the second, satisfied of the relevance of his selection. As a result of sure, François Busnel was not pushed out by Delphine Ernotte, quite the opposite. The highly effective presenter of the literary Wednesday night time program has develop into one of many few prescribers for viewers through the years. Any creator who goes by means of the Busnel field is aware of that he’ll profit from the absolute best publicity for his work there. The problem for Augustin Trapenard will subsequently be to reinvent a well-functioning mechanism. To print the seal with out damaging the ship. They usually agreed on it for 2 lengthy hours earlier than their first joint interview.

Paris match. Augustin, who accepted “La grande bookstore”, was that apparent?
Augustin Trapenard. When François referred to as me, I instantly stated sure. Firstly, as a result of “La grande bookstore” is a resistance present in opposition to the effervescence, the epilepsy of the world. But in addition, and it ought to be emphasised, out of friendship. Professionally and in life, François has all the time been very current. For instance, after I created the “21 cm” program for Canal+ in 2016, François was the primary to name me to encourage me and supply his assist. He stated to me, “The extra literary exhibits, the higher!”
Francois Busnell. I wished somebody who may take the torch. All that issues then is whether or not the flame is burning, whether or not it’s raining, snowing or blowing. Augustin has all of the qualities for that. I do know why I selected him, and I’m completely positive of my reality.

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And so, why him?
FB For his character, his contact, his freedom. I am not in search of a doll and I am not a ventriloquist. I maintain on to this invisible hyperlink referred to as belief… And I do know Augustin will likely be in a type of continuity in addition to inventiveness.
BEE Continuity as a result of we nonetheless have many factors in frequent. François is a good Americanist and I’ve taught English and American literature. For me, the e-book is a “shared pleasure” and that’s what brings us collectively: the pleasure of discovery, the style of transmission. As for inventiveness, in a literary program you do not have to reinvent every part. The very best remains to be a desk, with writers round, and the textual content within the coronary heart, within the center, quite simple.

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“I like the opportunity of flight strains within the face of an hooked up phrase, the phrase of consultants, politicians, journalists. Writers are artists. Augustin Trapenard

Augustin, while you offered “Boomerang” at France Inter, you refused to let your friends movie. To any extent further you are going to host a TV present…
BEE If I wished to oppose filmed radio, it is as a result of filming is a occupation that should be defended. Filming the books is all of the tougher and thrilling as a result of there aren’t many issues to movie… On tv, that is the director’s position. An important position: when an creator exhibits up, he says one thing about himself and his writing. When Michel Houellebecq, Amélie Nothomb or any younger author makes his first tv look on the set, they are saying one thing about themselves and their work by means of their angle, their type, their language. It is also a part of what “makes literature” and you could know find out how to flip it into pictures.
FB I agree with that. As we speak we’ve put in on the radio cameras that appear like surveillance cameras. Once I take a look at the author now, the author is now not himself. At “La grande bookstore”, in contrast to different exhibits, we guarantee that the cameras stay very discreet, we cowl them in order that the friends overlook about them. That can even be Augustin’s mission: to make sure that the authors don’t really feel watched… however really feel liberated.
BEE And that is precisely what I need to perpetuate!

Conversely, how will we be certain that writers don’t develop into the ‘VRP’ of their e-book on tv?
FB. Should you give a author solely 5 minutes to talk, he won’t ever have time to be something however the “VRP” of himself. It’s in opposition to this concept that I based “La grande bookstore”. What pursuits me is to seize the vulnerability of a being. And that takes time. The noisy creator does not curiosity me.
BEE Sure, a very long time is a prerequisite for the elaboration of a fancy thought. In a literary program – which I witnessed for eight years at France Inter – trembling, stumbling, generally erratic speech emerges… And that is what makes it stunning. I like the opportunity of strains of flight within the face of bonded speech, the speech of consultants, politicians, journalists. Writers are artists.
FB And I need to add another factor: we do not invite writers to do their promotion… however to “lose their grip”, to get out of their consolation zone.

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Any creator who goes by means of the Busnel field is aware of that he’ll profit from the absolute best publicity for his work there. The problem for Augustin Trapenard (proper) will subsequently be to reinvent a well-functioning mechanism.

© JULIEN FAURE / PARIS MATCH

How precisely do you select the longer term friends of the present? Ought to we be cautious of his style judgments in literature?
BEE It is an thrilling dialogue. I’m cautious of my very own style judgment, which is clearly constructed by my surroundings, my social class, my training. That is why I’ve all the time seen programming as a dialogue with the groups.
FB Personally, I have to be satisfied, so I will let Augustin persuade me, as a result of he is aware of find out how to do it very properly. We share the identical obsession: to not give the general public what they need, however to present them what they “can” need. I usually put my private style behind “what’s fascinating”, what surprises me, surprises me. I applaud books that upset my imaginative and prescient of the world when the phrases hit me. All books have flaws… But when one in every of them recollects every part I’ve simply stated, then it is saved. I sincerely consider that books usually are not inanimate objects, they’ll change the course of a future.

In your final present, François, you requested your friends for the e-book that “counterfeited” them. Might I return the query to you?
FB Cyrano de Bergerac! It stands for freedom in motion. Throughout my lectures I usually puzzled what it meant to stay ‘free’, with out hindrance. This e-book teaches us: we develop into free, regardless of the determinisms, by strolling, by admiring, by preventing to meet our desires, by happening an journey, by taking dangers, by shaking up the panorama…
BEE That is actually the e-book I affiliate with François. I’m satisfied that our literary preferences say rather a lot about ourselves. “Cyrano” is a small quoted e-book, Edmond Rostand is an creator that’s generally seemed down upon. There’s a complete absence of snobbery on this novel and François doesn’t like social contempt. It’s also a e-book that we research at school. Nonetheless, the switch, the college, is on the coronary heart of the undertaking of “La grande bookstore”, specifically by means of the competition of studying aloud.

“What pursuits me is to seize a being’s vulnerability. The noisy creator doesn’t curiosity me” François Busnel

Cyrano can be a personality who hides…
FB Exactly. What I like about Cyrano is the refusal of any compromise. It’s also a sure thought of ​​love: the story of somebody who feels misplaced. I by no means felt like I belonged besides through the present’s fourteen years. And now in an enhancing room or after I’m filming writers.
BEE After which, like Cyrano, we wish to stay. Wine, pleasure, sharing round a desk. By asking me to renew his present, François selected to perpetuate a occupation, a type of craftsmanship of the literary interview, a legacy of Bernard Pivot. Dare to admire, dare to be enthusiastic, dare to surprise, on the threat of displeasing.

François, was it studying that gave you the energy to cease the present?
FB Literature is an invite to stay a number of lives. I’ve not determined to cease presenting the present out of fatigue. I simply noticed one other want develop in me, on the finish of my documentary [“Seule la terre est éternelle”]. Producers provided me to jot down and direct fiction for the cinema, which I might by no means have allowed myself to do… Simply as I believed I wasn’t legit to make tv at first. Energy does not curiosity me, neither does cash, nor glory, nor recognition… So what’s left? Love and freedom. At 53, I really like the concept of ​​reinventing myself to “Not, when outdated age comes, uncover that I hadn’t lived”.

Augustin, what is going to your summer season be like? Curious, I assume?
BEE I am going dwelling to the Auvergne. For the literary season, journalists will begin receiving the books in April, so I am already somewhat forward. By the point of the literary awards in November, I’ve examine 120 novels. François and I’ve the identical obsessive-compulsive dysfunction: we learn rather a lot since we have been little and we want it.

François, to conclude, what recommendation would you give Augustin?
FB. I simply wished to want him luck, as a result of it takes a variety of self-sacrifice to do what he does, to dedicate his life to books, to authors and subsequently to others. You want a variety of generosity and a variety of altruism on this job. One doesn’t learn to learn or to seem clever, however on Flaubert’s recommendation one reads… to stay. So “Learn to Stay”!

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